Skip to main navigation Skip to search Skip to main content

The earliest evidence of blue pigment use in Europe

  • Izzy Wisher*
  • , Thomas Birch
  • , Rasmus Andreasen
  • , Elyse Canosa
  • , Sara Norrehed
  • , Solenn Reguer
  • , Quentin Lemasson
  • , Ester Oras
  • , Kristiina Johanson
  • , Tim Kinnaird
  • , Thomas Birndorfer
  • , Jesper Borre Pedersen
  • , James Scott
  • , Christof Pearce
  • , Felix Riede
  • *Corresponding author for this work
  • Aarhus University

Research output: Contribution to journalJournal articleResearchpeer-review

1 Downloads (Pure)

Abstract

Blue pigments are absent in Palaeolithic art. This has been ascribed to a lack of naturally occurring blue pigments or low visual salience of these hues. Using a suite of archaeometric approaches, the authors identify traces of azurite on a concave stone artefact from the Final Palaeolithic site of Mühlheim-Dietesheim, Germany. This represents the earliest use of blue pigment in Europe. The scarcity of blue in Palaeolithic art, along with later prehistoric uses of azurite, may indicate that azurite was used for archaeologically invisible activities (e.g. body decoration) implying intentional selectivity over the pigments used for different Palaeolithic artistic activities.
Original languageEnglish
JournalAntiquity
Volume99
Issue number408
Pages (from-to)1464-1479
Number of pages16
ISSN0003-598X
DOIs
Publication statusPublished - 1 Dec 2025

Cite this