In the Labyrinth of the Contemporary Condition: The Labyrinthine as Curatorial Topos of Postwar Modern in the German Art World Between 1945 and 1968

Kristian Handberg

In the Labyrinth of the Contemporary Condition: The Labyrinthine as Curatorial Topos of Postwar Modern in the German Art World Between 1945 and 1968

Kristian Handberg

University of Copenhagen

Research output: Contribution to journal › Journal article › Research › peer-review

Original language	English
Journal	Stedelijk Studies
Volume	7
Number of pages	15
ISSN	2405-7177
Publication status	Published - 30 Nov 2018
Externally published	Yes

Access to Document

https://stedelijkstudies.com/journal/in-the-labyrinth-of-the-contemporary-condition-the-labyrinthine-as-curatorial-topos-of-postwar-modern-in-the-german-art-world-between-1945-and-1968/

Cite this

Handberg, K. (2018). In the Labyrinth of the Contemporary Condition: The Labyrinthine as Curatorial Topos of Postwar Modern in the German Art World Between 1945 and 1968. Stedelijk Studies, 7. https://stedelijkstudies.com/journal/in-the-labyrinth-of-the-contemporary-condition-the-labyrinthine-as-curatorial-topos-of-postwar-modern-in-the-german-art-world-between-1945-and-1968/

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author = "Kristian Handberg",

year = "2018",

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day = "30",

language = "English",

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journal = "Stedelijk Studies",

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Handberg, K 2018, 'In the Labyrinth of the Contemporary Condition: The Labyrinthine as Curatorial Topos of Postwar Modern in the German Art World Between 1945 and 1968', Stedelijk Studies, vol. 7. <https://stedelijkstudies.com/journal/in-the-labyrinth-of-the-contemporary-condition-the-labyrinthine-as-curatorial-topos-of-postwar-modern-in-the-german-art-world-between-1945-and-1968/>