Becoming Blue

Jørgen Wadum; Angela  Jager; Camilla Perondi

Becoming Blue

Jørgen Wadum, Angela Jager, Camilla Perondi

Nivaagaard Collection

Research output: Other contribution › Net publication - Internet publication › Communication

Abstract

The many different blue pigments that painters have used throughout history have varied over time and in order to determine the time period of a painting they are essential to uncover. Prussian blue, for example, is a marker for paintings produced after 1706, when it was first produced in Berlin and immediately became hugely popular as it was cheap and had an excellent hiding power.

Original language	English
Publication date	8 Feb 2024
Place of Publication	Nivå
Publisher	Nivaagaards Malerisamling
Number of pages	7
Publication status	Published - 8 Feb 2024

Access to Document

https://nivaagaard.dk/en/aktuelt-forskningsprojekt/Licence: Unspecified

Cite this

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AB - The many different blue pigments that painters have used throughout history have varied over time and in order to determine the time period of a painting they are essential to uncover. Prussian blue, for example, is a marker for paintings produced after 1706, when it was first produced in Berlin and immediately became hugely popular as it was cheap and had an excellent hiding power.

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Becoming Blue

Abstract

Access to Document

Other files and links

Dutch and Flemish paintings at The Nivaagaard Collection. Attributions, the acquisition history, and their artistic significance in an international context.

Cite this

Becoming Blue

Abstract

Access to Document

Other files and links

Projects

Dutch and Flemish paintings at The Nivaagaard Collection. Attributions, the acquisition history, and their artistic significance in an international context.

Cite this