A preliminary attempt to identify Ruben's studio practice

Jørgen Wadum

A preliminary attempt to identify Ruben's studio practice

Mauritshuis

Research output: Chapter in Book/Report/Conference proceeding › Article in proceedings › Research › peer-review

Abstract

Paintings in the style of P.P. Rubens have been examined with the aid od infrared reflectography. It is being proposed that certain phenomena along the contours of large scale Rubens-like figures in two mythological paintings could be ascribed as final corrections made by Rubens himself. Similar corrections have been observed in a painting by Rubens as well as in his drawings. Based on this it is being suggested that paintings in the "Style of Rubens" showing these types of corrections may be re-attributed to "Studio of Ruben", adding to our understanding of the large output of paintings from this Antwerp master.

Original language	English
Title of host publication	ICOM committee for conservation, 11th triennial meeting in Edinburgh, Scotland, 1-6 September 1996: Preprints
Editors	Janet Bridgland
Number of pages	5
Volume	I
Place of Publication	London
Publisher	James & James
Publication date	1996
Edition	11
Pages	393-395
Commissioning body	Mauritshuis
ISBN (Print)	1-873956-50-8
Publication status	Published - 1996
Externally published	Yes

Access to Document

https://www.icom-cc-publications-online.org/2973/A-Preliminary-Attempt-to-Identify-Rubens-Studio-PracticeLicence: CC BY-NC-ND

1 Finished

Becoming Famous - Peter Paul Rubens
Diefenthaler, S. (Approving authority), Büttner, N. (Approving authority) & Wadum, J. (PI)
20/03/2020 → 20/02/2022
Project: Research

Cite this

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title = "A preliminary attempt to identify Ruben's studio practice",

abstract = "Paintings in the style of P.P. Rubens have been examined with the aid od infrared reflectography. It is being proposed that certain phenomena along the contours of large scale Rubens-like figures in two mythological paintings could be ascribed as final corrections made by Rubens himself. Similar corrections have been observed in a painting by Rubens as well as in his drawings. Based on this it is being suggested that paintings in the {"}Style of Rubens{"} showing these types of corrections may be re-attributed to {"}Studio of Ruben{"}, adding to our understanding of the large output of paintings from this Antwerp master. ",

author = "J{\o}rgen Wadum",

year = "1996",

language = "English",

isbn = "1-873956-50-8",

volume = "I",

pages = "393--395",

editor = "Janet Bridgland",

booktitle = "ICOM committee for conservation, 11th triennial meeting in Edinburgh, Scotland, 1-6 September 1996: Preprints",

publisher = "James & James",

edition = "11",

}

A preliminary attempt to identify Ruben's studio practice. / Wadum, Jørgen.
ICOM committee for conservation, 11th triennial meeting in Edinburgh, Scotland, 1-6 September 1996: Preprints . ed. / Janet Bridgland. Vol. I 11. ed. London: James & James, 1996. p. 393-395.

Research output: Chapter in Book/Report/Conference proceeding › Article in proceedings › Research › peer-review

TY - GEN

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AU - Wadum, Jørgen

PY - 1996

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N2 - Paintings in the style of P.P. Rubens have been examined with the aid od infrared reflectography. It is being proposed that certain phenomena along the contours of large scale Rubens-like figures in two mythological paintings could be ascribed as final corrections made by Rubens himself. Similar corrections have been observed in a painting by Rubens as well as in his drawings. Based on this it is being suggested that paintings in the "Style of Rubens" showing these types of corrections may be re-attributed to "Studio of Ruben", adding to our understanding of the large output of paintings from this Antwerp master.

AB - Paintings in the style of P.P. Rubens have been examined with the aid od infrared reflectography. It is being proposed that certain phenomena along the contours of large scale Rubens-like figures in two mythological paintings could be ascribed as final corrections made by Rubens himself. Similar corrections have been observed in a painting by Rubens as well as in his drawings. Based on this it is being suggested that paintings in the "Style of Rubens" showing these types of corrections may be re-attributed to "Studio of Ruben", adding to our understanding of the large output of paintings from this Antwerp master.

M3 - Article in proceedings

SN - 1-873956-50-8

VL - I

SP - 393

EP - 395

BT - ICOM committee for conservation, 11th triennial meeting in Edinburgh, Scotland, 1-6 September 1996: Preprints

A2 - Bridgland, Janet

PB - James & James

CY - London

ER -

A preliminary attempt to identify Ruben's studio practice

Abstract

Access to Document

Projects

Becoming Famous - Peter Paul Rubens

Cite this