Abstract
In the post-war period a heterogeneous group of photographers articulate a new photographic approach to the city as motive in a photographic language that combines intense formalism with subjective vision. This paper analyses the photobook Fragments of a City published in 1960 by Danish photographer Keld Helmer-Petersen. The book is a pioneering example of this post-war tendency and yet it has not been analysed or presented academically before. In the paper I examine how the book forms a new mode of representation that balances between abstraction and realism and how this has an influence on both questions of representation and perception.
| Originalsprog | Engelsk |
|---|---|
| Titel | INTER Photo Arch International Conference : Inter - Photography and Architecture. Intersections |
| Redaktører | Ruben A. Alcolea, Jorge Tárrago |
| Antal sider | 10 |
| Vol/bind | 4 |
| Udgivelsessted | [Pamplona] |
| Forlag | Publicaciones Universidad de Navarra |
| Publikationsdato | 2 nov. 2016 |
| Sider | 46-55 |
| ISBN (Trykt) | 978-848081-521-5 |
| Status | Udgivet - 2 nov. 2016 |
| Begivenhed | Inter photo arch = Inter photo arch : congreso internacional : inter-fotografia y arquitectura 0 international conference : inter-photography and architecture - Museo Universidad de Navarra, Pamplona, Spanien Varighed: 2 nov. 2016 → 4 nov. 2016 https://museo.unav.edu/en/investigacion/congreso-internacional-inter-fotografia-arquitectura |
Konference
| Konference | Inter photo arch = Inter photo arch |
|---|---|
| Lokation | Museo Universidad de Navarra |
| Land/Område | Spanien |
| By | Pamplona |
| Periode | 02/11/2016 → 04/11/2016 |
| Internetadresse |